Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.
The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.
Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland.He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.2 Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe. A collection of original African stories, written and illustrated by Capetonians. Barbara Wildenboer was born in 1973 and lives and works in Cape Town. He has a studio in Cape Town and travels frequently to Knysna.Published to coincide with the exhibition, "Barend de Wet: Green", SMAC Art Gallery, Stellenbosch, 2010. Catalogue of the exhibition, Stevenson, Cape Town, 2014.This mentorship was created in 2011 to give a woman photographer a grant and mentor's guidance to produce a body of work. The body of work presented in this catalogue focuses on a group of Soweto-based skateboarders known as SSS Skate Society Soweto. Catalogue of the exhibition, "Alexandra Karakashian, unbecoming", SMAC Gallery, Johannesburg, 2017. Alexandra Karakashian was born in 1988 in Johannesburg.
She was awarded the Judy Steinburg Painting Prize and the Simon Gerson Distinction Award in 2012 and the Jules Kramer Music & Fine Arts Scholarship and Maciver Scholarship in 2013.
Includes the essay, "Vocation, Recognition, Chronology" by curator Muller Ballot. Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2012.
André van Vuuren was born in Benoni near Johannesburg in 1945 and lives in Riebeek Kasteel in the Western Cape. Contributions include: "The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal "Dreaming of Transcendence: Andrew Tshabangu's photography" by M.
His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria.
Thereafter he created architectural sculpture for numerous prominent buildings in Pretoria and Johannesburg, as well as many Afrikaner monuments and free-standing public sculptures.
Includes the essays: "(un)Earthing History: ceramics at the Durban Art Gallery" by Elizabeth Perrill "A History of Ceramics at the Durban University of Technology" by Tony Starkey "Continuity and Change: ceramics at the Centre for Visual Art, UKZN PMB" by Ian Calder "Mediating Indigeneity and a Cross-cultural Aesthetic in Works by Ceramicists from KZN in the Durban Art Gallery's Collection" and "Rorke's Drift Ceramic Traditions in Context" by Juliette Leeb du-Toit "The Nala Dynasty: the relevance and importance of these Utshwala vessels" by Juliette Armstrong "Ardmore Ceramics" by Valerie Leigh.